In 2014, bound by confidentiality with CCI and the City of Paris, and by exclusivity with Frédéric Brière, the Bourse de Commerce remained invisible, outside the market, and unavailable except for MOCA.
Meanwhile, François Pinault had been unable to find a suitable location in Paris, in spite of a 7-year search, whereas MOCA Paris raised only € 25m ($ 32m) / € 60 m.
Using his exclusive rights, Frédéric Brière tried to fulfill the best interest of the Paris art scene, while seeking a referral commission for himself, by enticing François Pinault to settle into the building in lieu of MOCA, to display his collection.
On May 13, 2014,, Brière disclosed the potential Bouse de Commerce opportunity to Pinault group by giving a first tour to its special advisor for art JJ Aillagon.
Aillagon gave a negative answer on June 19, stating that François Pinault was not interested in visiting the place, expressing doubts that Pinault would be attracted by the premises, writting he ‘d get back to Brière in case of any change from Pinault.
In March 2015, two months after Brière’s exclusivity had expired, François Pinault changed his mind, visited the Bourse de Commerce at the invitation of the Mayor, initiated a feasibility study and started discussions with the City.
On March 26, 2018, Frédéric Brière obtained a judgment from the Paris Court stating the conversion of the Bourse de Commerce into a museum is his prior idea. The Court declared Brière’s legal recourse non abusive but declined any compensation.
In 2021, Briere’s vision has become reality: the Bourse de Commerce is a museum.